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http://hdl.handle.net/20.500.12731/4386| Archival Unit: | 2 | Issue Date: | 6-Jul-1981 | Title: | Claude Gandelman (Ben Gourion Univ.) : La rhétorique du "montreur": un signe de distanciation dans la peinture de la Rennaissance / Ann Banfield (Berkeley) : The knowledge of the Clock and the Lens: Narration and Representation in the Language of Fiction | Authors: | Gandelman, Claude Banfield, Ann |
Producing entity (organization): | Centro Internazionale di Scienze Semiotiche "Umberto Eco" | Content: | Lato A - Claude Gandelman (Ben Gourion Univ.) : La rhétorique du "montreur": un signe de distanciation dans la peinture de la Rennaissance - A. Banfield (Berkeley) : The knowledge of the Clock and the Lens: Narration and Representation in the Language of Fiction Lato B - A.Banfield (Berkeley) : The knowledge of the Clock and the Lens: Narration and Representation in the Language of Fiction |
Description level: | 1981 L'Oggetto teorico "Arte" | URI Identifier: | http://hdl.handle.net/20.500.12731/4386 | Physical type: | Registrazione vocale | Preservation status: | Buono |
Language: | Inglese Francese Italiano |
Project: | Attività di acquisizione digitale dell'Archivio sonoro dell'Istituto di Semiotica | Keywords: | Rinascimento Rennaissance Pittura Peinture |
| Appears in Collections: | Archivio sonoro del Centro Internazionale di Semiotica e di Linguistica |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| 02_A_1981_07_06_Oggetto_teorico_Arte.mp3 | 68.76 MB | MP3 | ||
| 02_B_1981_07_06_Oggetto_teorico_Arte.mp3 | 66.44 MB | MP3 |
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