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Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12731/4386
Archival Unit: 2
Issue Date: 6-Jul-1981
Title: Claude Gandelman (Ben Gourion Univ.) : La rhétorique du "montreur": un signe de distanciation dans la peinture de la Rennaissance / Ann Banfield (Berkeley) : The knowledge of the Clock and the Lens: Narration and Representation in the Language of Fiction
Authors: Gandelman, Claude 
Banfield, Ann 
Producing entity (organization): Centro Internazionale di Scienze Semiotiche "Umberto Eco" 
Content: 
Lato A
- Claude Gandelman (Ben Gourion Univ.) : La rhétorique du "montreur": un signe de distanciation dans la peinture de la Rennaissance
- A. Banfield (Berkeley) : The knowledge of the Clock and the Lens: Narration and Representation in the Language of Fiction

Lato B
- A.Banfield (Berkeley) : The knowledge of the Clock and the Lens: Narration and Representation in the Language of Fiction
Description level: 1981 L'Oggetto teorico "Arte" 
URI Identifier: http://hdl.handle.net/20.500.12731/4386
Physical type: Registrazione vocale
Preservation status: 
Buono
Language: Inglese
Francese
Italiano
Project: Attività di acquisizione digitale dell'Archivio sonoro dell'Istituto di Semiotica 
Keywords: Rinascimento
Rennaissance
Pittura
Peinture
Appears in Collections:Archivio sonoro del Centro Internazionale di Semiotica e di Linguistica

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